Parisian shoe designer Christian Louboutin has some advice for all of us: slow.
“I always design flat shoes and so i love them, but high heels produce a woman a lot more aware of her body,” he says.
Inside a fast-paced world with folks always rushing, christian louboutin outlet says he likes things which make people slow.
“If you walk down the street slowly, maybe someone will pick you up,” he says using a laugh along with a twinkle in the eye. “That doesn’t happen if you are walking around.”
The designer’s cheeky, relaxed attitude shines through. He often delights Hong Kong fans with chatty shoe signings and parties. Notably unpretentious, while a lot of the fashion elite are being chauffeured around in shiny black cars for fashion week, Louboutin is visible zipping between Paris shows on his little moped.
At 54, he has turned his passion for se-xy footwear in a global empire, encompassing not only men’s and women’s shoes, but bags, accessories and beauty, nail varnish and, most recently, perfume.
His concept of women’s beauty emanates from rebelling against the naturalism very popular in 1970s France when he was growing up. Along with those early stiletto heels that were just coming into vogue in the early ’90s, managed to tap into a brand new sense of fragility and power in feminine glamour. It’s with the exact same attitude that he’s created his beauty and perfume range.
He is clad in deep red, the signature hue of his famous soles, and wearing two-colour lace-up brogues from his men’s line, which has found popularity in Asia.
“If you appear at busts of Nefertiti, she actually is gorgeous, she has this skin that’s not white, nor black. The eye area are huge, the eyebrows are very well drawn. She’s so striking. It’s not just a natural look. However I that way type of beauty – that timelessness on this dramatic beauty over many thousands of years.”
As a child being raised from the ’70s in France, when actresses and actors “were all grumpy”, that trend of being “super natural, without having makeup, flat shoes, dirty clothes and being quite grungy; when everything was related to femininity was badly considered”, didn’t sit well with Louboutin.
“I never understood why femininity was related to stupidity in France then. I never accepted that. It didn’t mean everything to me, this preconceived idea.”
It absolutely was female performers and musicians that truly did start to change the mould, he recalls: “First Blondie, then a likes of Tina Turner and Madonna, who demonstrated that glamour could be empowering for women.
“From a few things i remember, I’ve been designing shoes from age of 12 or 13. It didn’t really occur to me being a job at the time, I was just always obsessed and louboutin outlet, the reason is very easy,” he says.
The shoe obsession started after he visited a museum beside his parent’s Parisian apartment, with beautiful parquet flooring. In the wall there was a poster of a high-heeled shoe through the ’50s and it also was crossed in red, which means that high heel shoes were forbidden to guard the ground.
“I was thinking exactly what a stupid and strange high thin heel,” he adds, “this is in the ’70s, so that we didn’t have shoes that way. All of this went into my head and i also begun to sketch nervously.”
His first passion was always showgirls and cabaret, and after being expelled from several schools (“typical teenager stuff, nothing too serious”) Louboutin wound up employed in a cabaret at age of 17.
“I desired to do something for showgirls and also as I was sketching shoes on a regular basis, I placed the two together and this was my first job. I might come and also a different drawing for every single dancer … it absolutely was a good way starting to understand shoes because of the movement.
“I always did everything unintentionally. I consider it a cheerful accident. It’s difficult to decide on your own what your life will probably be. If you are obsessive about what your way of life must be, I think it will be tough,” he says.
It had been a humble start, with little pay, and also the young designer soon sought out more formal training. He cold-known as the house of Christian Dior and audaciously asked to speak to “the 61dexjpky director”. In a story that is now component of fashion history, Dior’s director of haute couture picked up the telephone and consented to a conference to see this unknown young man’s designs. She was impressed and arranged a training work for him on the Charles Jourdan factory outside Paris.
During the early 1992, Louboutin had started his very own label in a shop close to an excellent gallery. Business was swift and easy, since passing foot traffic in the gallery included “fine arts and antique dealers and customers”.
That business flourished and converted into an international empire over more than two decades. His designs have been much coveted and referenced in films and songs; and now, he remains one of the more copied show designers in China. Cue multiple collaborations, celebrity fans, soaring sales along with a bag range. Louboutin has made by far the most of his bold and in some cases outrageous aesthetic.
Now, with stores all over the world, louboutins sydney doesn’t show any warning signs of slowing down.
For many his commercial success, the organic path of Louboutin’s career is pretty astounding. And almost impossible had he started off in today’s world of fashion.
The iconic red lacquered sole (a brand name signature where he fought from the Yves Saint Laurent house in US courts) came as another (almost) happy accident.
“In 1992 an element of my collection was inspired by pop art, Andy Warhol and all of that. It was bright colours for that lining, the heel … I wanted a shock of colours.
“When the first prototype came, it looked good but not quite right. I used to be exploring the shoe, and so i looked underneath with the sole and thought, that’s a lot of black on a shoe full of colour. My assistant Sara was painting her nails inside the room back then, and i also grabbed the nail polish and so i said I want to try something began painting the sole. It looked perfect – much like the essence of my sketch.”
It was actually an easy move to colour the soles so brightly, nevertheless in footwear during the time, an innovative one. Today, the flash of the red sole on some heels being a woman walks away is part of the fashion vocabulary.